Lebanese painter Georges Bassil moved out of Lebanon in 2010 for the first time. The country that had birthed his natural artistic passions had served him well for this first 15 years of his career, but he was ready for a change. He moved nearby to Amman, Jordan. “Lebanon is not my home anymore. I had friends here in Amman and decided to give it a try. I like Jordan, it’s a decent country. The people respect each other and there is less chaos. It’s bit duller but that doesn’t bother me. I bought an apartment because it was fairly cheap here, and it’s safe.”
When comparing the countries, Bassil says, “We are more open minded in Lebanon than Jordan partially because of the geography and the sea. We are in the middle of the Arab countries, but are connected to the west and east. Plus, Lebanese travel abroad a lot.” But similarities are present when you spend time with Jordanians he says, “When you go to their houses, their hospitality is similar to Lebanon, in many ways.”
Bassil grew up in Achrafieh in Beirut. He was seven when the civil war started. “I was scared all the time; I couldn’t go out at night. When I was a teenager – if I wanted to go to the cinema or something, it was a big risk. I wasn’t supposed to go out, but I still did.” His family never considered fleeing the country, but they did retreat to a small house in the mountains when things got especially bad.
I started drawing when I was five years old. I would draw on books, on the wall, everywhere. I was happy when I saw a small white space.”
Bassil continued to experiment with painting while growing up. He went on to study interior design at university, but painting was already “in his head”. He started off with watercolors and gouache paints, but found that he liked acrylic paints best, which he has been using for most of his career.
“My first exhibition was in 1994 at a gallery in Achrafieh and I sold all of my paintings. My day job for five years had been working for a jewelry designer. I liked jewelry, including making the moldings, but I knew my passion was painting.” At that point, despite the risks, he decided to become a full-time artist.

Bassil creates his pieces organically, “I don’t think a lot when I am working. I start with a small form with different faces. I love faces. If I come across somebody that inspires me, I keep an image of them in my imagination. Or sometimes it’s a movie, theatre, or music that gives me inspiration.” But he asserts that he has no agenda with his art, “For me – the human being is the most important. I like to focus on the human figure, the emotion, the feeling. I like when somebody is walking and stops; I like to look into their eyes.”
Bassil’s figures display a range of raw emotions and have been described as existing in their own expanse, free from the world’s consequences, possibly pondering their existence. The backdrop is commonly stark black or white. Bassil’s warm tones, translucent colors, and usual avoidance to hard lines tend to create an eeriness or tranquilness, sometimes both. “It’s been about a year since I have used bright colors. I go through cycles with the way I use colors. Yesterday I bought pink, yellow, and orange paint,” he says.
Bassil’s core cities are Beirut, Amman, and Dubai. He has been showing his art in Dubai for over ten years. Now he does major exhibitions every three years in these three cities, creating around 20 paintings for each event. On occasion, he also sends paintings to galleries. “My last show in Amman was in May 2015 – I sold everything.” In the past, “I did two exhibitions in France – one in Nice and one in Monaco. The paintings were well liked, but the people here in the Middle East buy more,” he says. Bassil estimates that he has sold in the vicinity of 1,000 paintings in his 20-year career.
Despite his comfortable life in Amman, Bassil says he would move back to Lebanon in the future if circumstances change. His apartment in Achrafieh is still waiting for him. “My favorite memories of Lebanon are going to the beach, the mountains, and the nightlife with friends. We had really good nightlife in the ‘90s. I miss it. My brother lives in Byblos now, but my sister moved to Bahrain.”
“I dream for Lebanon to be like it was before. I want to feel safe when I am there. I want Lebanon to run more like a company with strong leadership, not like a country divided,” he says, “I can be a Christian, Muslim, or any religion, but I must be Lebanese first.”
HOMEland Magazine
We firmly believe that the internet should be available and accessible to anyone, and are committed to providing a website that is accessible to the widest possible audience, regardless of circumstance and ability.
To fulfill this, we aim to adhere as strictly as possible to the World Wide Web Consortium’s (W3C) Web Content Accessibility Guidelines 2.1 (WCAG 2.1) at the AA level. These guidelines explain how to make web content accessible to people with a wide array of disabilities. Complying with those guidelines helps us ensure that the website is accessible to all people: blind people, people with motor impairments, visual impairment, cognitive disabilities, and more.
This website utilizes various technologies that are meant to make it as accessible as possible at all times. We utilize an accessibility interface that allows persons with specific disabilities to adjust the website’s UI (user interface) and design it to their personal needs.
Additionally, the website utilizes an AI-based application that runs in the background and optimizes its accessibility level constantly. This application remediates the website’s HTML, adapts Its functionality and behavior for screen-readers used by the blind users, and for keyboard functions used by individuals with motor impairments.
If you’ve found a malfunction or have ideas for improvement, we’ll be happy to hear from you. You can reach out to the website’s operators by using the following email
Our website implements the ARIA attributes (Accessible Rich Internet Applications) technique, alongside various different behavioral changes, to ensure blind users visiting with screen-readers are able to read, comprehend, and enjoy the website’s functions. As soon as a user with a screen-reader enters your site, they immediately receive a prompt to enter the Screen-Reader Profile so they can browse and operate your site effectively. Here’s how our website covers some of the most important screen-reader requirements, alongside console screenshots of code examples:
Screen-reader optimization: we run a background process that learns the website’s components from top to bottom, to ensure ongoing compliance even when updating the website. In this process, we provide screen-readers with meaningful data using the ARIA set of attributes. For example, we provide accurate form labels; descriptions for actionable icons (social media icons, search icons, cart icons, etc.); validation guidance for form inputs; element roles such as buttons, menus, modal dialogues (popups), and others. Additionally, the background process scans all the website’s images and provides an accurate and meaningful image-object-recognition-based description as an ALT (alternate text) tag for images that are not described. It will also extract texts that are embedded within the image, using an OCR (optical character recognition) technology. To turn on screen-reader adjustments at any time, users need only to press the Alt+1 keyboard combination. Screen-reader users also get automatic announcements to turn the Screen-reader mode on as soon as they enter the website.
These adjustments are compatible with all popular screen readers, including JAWS and NVDA.
Keyboard navigation optimization: The background process also adjusts the website’s HTML, and adds various behaviors using JavaScript code to make the website operable by the keyboard. This includes the ability to navigate the website using the Tab and Shift+Tab keys, operate dropdowns with the arrow keys, close them with Esc, trigger buttons and links using the Enter key, navigate between radio and checkbox elements using the arrow keys, and fill them in with the Spacebar or Enter key.Additionally, keyboard users will find quick-navigation and content-skip menus, available at any time by clicking Alt+1, or as the first elements of the site while navigating with the keyboard. The background process also handles triggered popups by moving the keyboard focus towards them as soon as they appear, and not allow the focus drift outside it.
Users can also use shortcuts such as “M” (menus), “H” (headings), “F” (forms), “B” (buttons), and “G” (graphics) to jump to specific elements.
We aim to support the widest array of browsers and assistive technologies as possible, so our users can choose the best fitting tools for them, with as few limitations as possible. Therefore, we have worked very hard to be able to support all major systems that comprise over 95% of the user market share including Google Chrome, Mozilla Firefox, Apple Safari, Opera and Microsoft Edge, JAWS and NVDA (screen readers).
Despite our very best efforts to allow anybody to adjust the website to their needs. There may still be pages or sections that are not fully accessible, are in the process of becoming accessible, or are lacking an adequate technological solution to make them accessible. Still, we are continually improving our accessibility, adding, updating and improving its options and features, and developing and adopting new technologies. All this is meant to reach the optimal level of accessibility, following technological advancements. For any assistance, please reach out to