Team of Capernaum with LMAs founder Emilio Eid left to right: Pierre Sarraf, Khaled Mouzanar, Nadine Labake, Emilio Eid
Photos by Alain Francis and Celine Dagher
The who’s who of the Lebanese movie scene graced the Casino du Liban in their most dazzling soirée attire for a yearly celebration of cinema. Starlets robed in designer gowns and men donning tuxedos posed for the cameras, while others interacted with the press or socialized with each other. Electricity filled the air for the sixth edition of the Lebanese Movie Awards (LMAs) — an initiative with one mission in mind: “to believe in the magic of Lebanese movies, and to honor those films who made us believe.”
Cast & Crew of Khabsa arriving on the red carpet of the sixth edition of The LMAs. Matteo Khodr, Rola Beksmati, Junaid Zeinldine, Abboudy Mallah, Tanya Nasr, Nadine Rizk
“The industry is booming. There are Lebanese movies at the Oscars and the film festivals all around the world,” said the LMAs founder, Emilio Eid, who believed it was high time to start appreciating cinematic excellence. “I love to give back to the hardworking people in the movie industry. Those behind the scenes, not only the director and actors,” adds Eid. Surprisingly, Eid launched the very first LMAs while still a teenager. Six years later, the LMAs has grown into a much-anticipated yearly ceremony.
“More often than not, Lebanese artists struggle to find sponsors to support their creative endeavors.”
Much like the Oscars, the soirée takes place in a theater, rather than over a dinner banquet. The guest list is exclusive; attendance is limited to industry insiders and is by invitation only. In order to avoid outside influence, TV reportage is only permitted so long as it does not compromise the credibility of the event nor interfere with its creative output. “No one has control of the ceremony as this might make it lose credibility,” says Eid. “I do everything with transparency.” However, finding financial backing can be problematic in a country that is thirsty for public funding. More often than not, Lebanese artists struggle to find sponsors to support their creative endeavors. The LMAs covers its overhead through the generosity of friends and partners.
President & Founder Emilio Eid, with Jury Member and Presenter Carmen Lebbos
Presenters took turns announcing the nominees and winners of the night to the around 700 invitees who enjoyed the two-hour proceeding. Lara Rain, Rita Hayek, Nada Abou Farhat, Carmen Lebbos, and Julie Gayet among others introduced the nine feature films, three documentaries, and five short movies to the public.
Nadine Labaki’s global phenomenon, Capernaum (2018), stood out as the big winner with 11 nominations across all categories, taking HOME six awards in total. Tony Farjallah’s Morine (2018), received nine nominations and won three awards. Lucien Bourjeily’s drama, Heaven Without People (2017), and Shady Hanna’s romantic comedy, Khabsa (2018), tied at seven nominations each. Rana Eid’s nomination for best documentary for Panoptic (2017), was a strong statement, seeing how the film failed to pass censorship and was officially banned from theaters. Last year, Ziad Doueiri’s The Insult (2017), went HOME with five awards. It would be uplifting to see this platform also develop into a launch pad for smaller productions that could truly benefit from the exposure. Emilio expressed optimism for the future.
Takla Chamoun accepting the award for Wardrobe for the movie Morine
The films were selected based on their artistic and technical excellence. Categories include best motion picture, best directing, best production design, and best soundtrack. Best documentary, best short film, and best hair styling & makeup were newly introduced to the panel this year. Members of this year jury were Emile Chahine, Lynn Tehini, Muriel Aboulrouss, Assad Fouladkar, Badih Abou Chacra, Nicolas Blanc, Raya Abi Rached, and Carmen Lebbos.
Nicolas Mouawad & Lara Rain presenting the awards for Best Sound Design & Soundtrack
“The Casino du Liban is our main partner, and I am grateful for their support,” says Eid. So far, the initiative has been represented by Eid as an individual, not an officially recognized body. Since the ceremony has expanded, so have his dreams. “I just handed in the papers to the Ministry of Interior to turn it into an NGO,” beams Eid.
Nadine Labake accepting the award for Best Director for a Lebanese Motion Picture.
While an estimated 30 film festivals pop up across the country, the LMAs stands out from the rest as an award ceremony that honors Lebanese films. Most famously, the Murex D’Or award ceremony at the Casino du Liban takes a more general Pan Arab and regional interest. Other film-related initiatives have become a part of the cultural sphere, such as the popular, open air Cabriolet Film Festival which screens short films on the stairs of Gemmayzeh, and the Maskoun Fantastic Film Festival, the first in the region that focuses on horror, thriller, and science-fiction movies, and the Batroun Mediterranean Film Festival which showcases short films from the 21 countries along the Mediterranean Sea. Elsewhere, the Lebanese Film Festival in Canada — an annual overseas celebration of Lebanese motion pictures — made its breakthrough in 2017.
Cast of Capernaum accepting the award for Best Ensemble Cast along with the casting director. Cedra Izzam, Joseph Jimbazian, Elias Khoury Jennifer Haddad, Alaa Chouchnieh, Fadi Youssef, Kawsar El Haddad
Cinephile Eid shared with HOME his favorite films: Life of Pi (2012), Au Revoir La Haut (2017), Gravity (2013), Réparer Les Vivants (2016) and Juste La Fin du Monde (2016). He adds that everyone should be watching the weekly online show, Pose (2018), that brings the latest news from the world of film. Now, Eid is writing his first TV show set in Paris. “The show is in English. It’s more tailored toward a Netflix than Arte audience,” he says. Currently, Eid shuttles between Lebanon and Strasbourg, France.
For more info:
[instalink id=”30″]
https://www.instagram.com/lbmovieawards/
https://www.facebook.com/lbmovieawards/
HOMEland Magazine
We firmly believe that the internet should be available and accessible to anyone, and are committed to providing a website that is accessible to the widest possible audience, regardless of circumstance and ability.
To fulfill this, we aim to adhere as strictly as possible to the World Wide Web Consortium’s (W3C) Web Content Accessibility Guidelines 2.1 (WCAG 2.1) at the AA level. These guidelines explain how to make web content accessible to people with a wide array of disabilities. Complying with those guidelines helps us ensure that the website is accessible to all people: blind people, people with motor impairments, visual impairment, cognitive disabilities, and more.
This website utilizes various technologies that are meant to make it as accessible as possible at all times. We utilize an accessibility interface that allows persons with specific disabilities to adjust the website’s UI (user interface) and design it to their personal needs.
Additionally, the website utilizes an AI-based application that runs in the background and optimizes its accessibility level constantly. This application remediates the website’s HTML, adapts Its functionality and behavior for screen-readers used by the blind users, and for keyboard functions used by individuals with motor impairments.
If you’ve found a malfunction or have ideas for improvement, we’ll be happy to hear from you. You can reach out to the website’s operators by using the following email
Our website implements the ARIA attributes (Accessible Rich Internet Applications) technique, alongside various different behavioral changes, to ensure blind users visiting with screen-readers are able to read, comprehend, and enjoy the website’s functions. As soon as a user with a screen-reader enters your site, they immediately receive a prompt to enter the Screen-Reader Profile so they can browse and operate your site effectively. Here’s how our website covers some of the most important screen-reader requirements, alongside console screenshots of code examples:
Screen-reader optimization: we run a background process that learns the website’s components from top to bottom, to ensure ongoing compliance even when updating the website. In this process, we provide screen-readers with meaningful data using the ARIA set of attributes. For example, we provide accurate form labels; descriptions for actionable icons (social media icons, search icons, cart icons, etc.); validation guidance for form inputs; element roles such as buttons, menus, modal dialogues (popups), and others. Additionally, the background process scans all the website’s images and provides an accurate and meaningful image-object-recognition-based description as an ALT (alternate text) tag for images that are not described. It will also extract texts that are embedded within the image, using an OCR (optical character recognition) technology. To turn on screen-reader adjustments at any time, users need only to press the Alt+1 keyboard combination. Screen-reader users also get automatic announcements to turn the Screen-reader mode on as soon as they enter the website.
These adjustments are compatible with all popular screen readers, including JAWS and NVDA.
Keyboard navigation optimization: The background process also adjusts the website’s HTML, and adds various behaviors using JavaScript code to make the website operable by the keyboard. This includes the ability to navigate the website using the Tab and Shift+Tab keys, operate dropdowns with the arrow keys, close them with Esc, trigger buttons and links using the Enter key, navigate between radio and checkbox elements using the arrow keys, and fill them in with the Spacebar or Enter key.Additionally, keyboard users will find quick-navigation and content-skip menus, available at any time by clicking Alt+1, or as the first elements of the site while navigating with the keyboard. The background process also handles triggered popups by moving the keyboard focus towards them as soon as they appear, and not allow the focus drift outside it.
Users can also use shortcuts such as “M” (menus), “H” (headings), “F” (forms), “B” (buttons), and “G” (graphics) to jump to specific elements.
We aim to support the widest array of browsers and assistive technologies as possible, so our users can choose the best fitting tools for them, with as few limitations as possible. Therefore, we have worked very hard to be able to support all major systems that comprise over 95% of the user market share including Google Chrome, Mozilla Firefox, Apple Safari, Opera and Microsoft Edge, JAWS and NVDA (screen readers).
Despite our very best efforts to allow anybody to adjust the website to their needs. There may still be pages or sections that are not fully accessible, are in the process of becoming accessible, or are lacking an adequate technological solution to make them accessible. Still, we are continually improving our accessibility, adding, updating and improving its options and features, and developing and adopting new technologies. All this is meant to reach the optimal level of accessibility, following technological advancements. For any assistance, please reach out to